ARTIST'S STATMENT: CONTENDING LOYALTIES

Contending loyalties is a marked presence in my work simply because it’s a marked presence in my life. It’s the natural conclusion of the congress, the overexposure and the crux of intersection that this project outlines. Nobody is a tabula rasa for their constituent parts but large swathes of which I do know don’t feel like that it will kill them. All of my constituencies have loyalties, gravities, and conceptual connotations that endebt me in the multitude of directions as seen depicted here, as felt as you’ve walked your way through the fragments of this network. That’s what this is.

This is the formation of identity, or at least how it work nows and for me, personally. This issue is felt perhaps most succinctly by the THREE TORTURES, in how it hurts and how I live is brought through those disjointments, these displacements. Let me explain: intersectional identity, specifically those seemingly polar identities, is about disfigurement. Various forms of partition, a homo sacer state of superposition across period, geography, concept and collective. Do you understand? I feel these questions, these tortures, burst up at the joints, not just in my body but the way each of my limbs seem to progress into a greater nervous system, a very nervous system. A constellation, a network. Am I making sense? No, let me explain:

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